Showing posts with label Prada. Show all posts
Showing posts with label Prada. Show all posts

28 February 2008

Eye candy of the week

Kudos to Brooke for finally sitting me down and showing me this new clip for next month's premiere of "The Hills". Just like my love for Audrina's love for Justin Bobby, Monday nights at C's cozy AdMo abode will live once again!



How would I rock a pair of dramatic dress trousers at a black-tie event? You're lookin' at my answer right here. Minus the "Brian [Austin Green]" tattoo, of course.
To borrow a term from the ladies over at GFY, this ravishing redhead (Teen Vogue's Accessories Director, Taylor Tomasi Hill) at the Tuileries yesterday creates the ultimate in 'lady cum tramp' scroll-down chic. Holy legs, Batman!

I've always liked men's watches far more than women's, but this one -'The Motif'- from longtime favorite line Nixon, is making me reconsider that preference. So very pretty, no?

We all fawned over Penelope's feather-bedecked Chanel Haute Couture gown on the red carpet, but how many got to see the second dress in which she stepped out for the many Oscar after parties? Penny's always been a favorite of mine, because she's one of the few beauties who can pull off the smolder and the cute with a quick dress change and hair tousle.

Before the unfortunate bang chop. Sorry, but that's all I can think about here. That and how HRL would snap this black and gold banded skirt up in less than a New York minute and then, in all honesty, ask me, "Really, you think it's '80s?"

I just want to see these new ruffled Prada runway pumps in person. Just to touch. Okay, maybe to wear, too, but only to work.

I can finally die happy knowing a benevolent soul and not some horrid socialite earned the honor of wearing the $14,500 Proenza Schouler cocktail dress. You say serving food to the hungry, I say serving Vogue to the fashion hungry. It's all charity in God's eyes.

I get in this same exact 'J' position after crunches and before prison push-ups, but aside from the sultry look and feelin'-for-progress hand placement, the similarities end there. Oh Katie Moss, no matter how old or drugged up you get, you'll always be the most glamorous chick in the coop.

31 October 2007

If I had a sugar daddy...

Long metallic leather gloves by Prada
$395 at bergdorfgoodman.com

14 September 2007

If I had a sugar daddy...

Seta calf boot by Prada
$970 at saks.com

18 May 2007

Couture in the middle of f**king nowhere


My dear friend, ASJINE roving reporter and the scariest looking, shaved-head, 48-inch-shouldered Canali three-piece-wearing dude you'll ever meet - we'll call him "R" - captured on film some of the most "what the f**k?"-eliciting images I've ever seen.

And believe me, I've seen a lot of curious images. And videos. And .avi files on ex-boyfriends' laptops. But none of them, not even Jasmin St. Claire's IronMan stamina or Bridget "the midget" Powerz' ability to "get things done" while enclosed in an in-motion carry-on suitcase, slackjawed me as immediately as this series of photos.

R's description was too "him" to tamper with. Enjoy:

"So we're hauling ass out of Marfa along US 10, heading west for Sierra Blanca, to look at a National Guard run OP overlooking an illegal border crossing called 'Nelly's crossing.'

And then, on the other side of the road, we see it: Prada.

I literally couldn't believe my eyes. It has no entrance, but the goods are real, apparently donated by the firm.

If you're ever in West Texas ...."

$20 says Miuccia stiffed "Slim" with the check for her riblet basket at the Marfa truckstop:
Shoes and handbags worth more than the acre of land surrounding them:
Some want a husband, some want kids -- I just want a wall of stilettos:

26 March 2007

Sorry, ScarJo, I just can't do it.

Even though I went on and on last week about how I cashed in 120 of my hard-earned Coke Rewards points just so I could physically own Scarlett's 2006 "Sexiest Woman Alive" photo spread in last November's Esquire, I've decided after an intense cost-benefit analysis that it would not be worth dropping the better part of a Cosi salad on the April issue of Vogue, on which she is also the covergirl.


This decision is in no way a reflection of how dewy and nubile ScarJo looks in her plumsicle '50s-inspired satin Prada ensemble (my favorite) or her turquoise D&G bustier with built-in Chantilly lace bra complete with "Oh piddle, did I invite you both tonight?" expression. Not at all.

Frankly, I've just never found Vogue capable of sustaining my interest through its 400-odd pages. Even on an airplane where I don't have the lure of a playful puppy and more than 60 stored episodes of "Laguna Beach," "Real Housewives of Orange County," "The Agency" and "Nightline," I still have to take a breather at the halfway point, eat a snack and read some Kant to unwind. It's just too arduous to plow through, too riddled with ads, too humorless and in the end, just too friggin' heavy for my delicate shoulders to bear on the five-block walk home.

I have nothing but the utmost respect for the writing and the photographs gracing Vogue's pages, but I can't deny the physical exhaustion - strikingly similar to that of a poorly-paced half-marathon - I experience every time I give that magazine another chance.

The digital pictures have an additional advantage over their paper counterparts in that we have the ability to look them - Scarlett wearing her Chanel sequined microshorts and crystal-encrusted wedges, as an example - with the lights off.

If we were so inclined, that is.

Uh, anyway, here's Miss Scah-lett in this month's issue of Vogue:

28 February 2007

Not quite Prada

After searching without success for a burgundy tulip miniskirt through the better part of the two-hour eighth season premiere of 'America's Next Top Model,' I took a deep breath, unclicked "red" on the color search prompts on all 14 websites I had open, and made an executive decision to place the higher premium on matching the silhouette, not the color palette, of my coveted Prada dress.

That being said, here is my reasonably-priced interpretation of Ms. Washington's look:




Top to bottom:
1. Silk organza blouse by Milly ($255 at net-a-porter.com)
2. Faux alligator belt ($4.80 at forever21.com)
3. Sparkle bubble skirt by Walter ($99.99 at bluefly.com)
4. Marais by MaxStudio ($142.95 at zappos.com)
5. Frame clutch ($16.99 at target.com)

I would sell my soul for this Prada dress


And if the devil threw in the Brian Atwood round-toeds, I might even sell my minidress collection, too.

After seeing Kerry Washington's Miuccia-designed dress and clutch at last week's Independent Spirit Awards, I'm now even more inclined to type in the keywords "sell" "soul" and "Prada" into the Google search prompt.

Though they look like distinct entities - a cream satin shell and burgundy tulip mini - this is actually a runway-modified two-toned dress from Prada's Spring/Summer 2007 collection.

It's sophisticated, it's prim, and with the simple black, round-toed patent-leather Brian Atwood pumps, it's a look that could easily be pulled off in our buttoned-up city.

It's also an ensemble that could easily be replicated for a price friendlier to my meager military analyst budget.

To see me recreate this Prada and Brian Atwood outfit for a whole lot less, login later tonight.

25 February 2007

Oh, the neckline!


Unimpressed by the all-Armani clad women - a group that included style mavens Cate, Penelope, Ziyi, Katie and her majesty, Ms. Mirren - at the designer's eponymous pre-Oscar party last night, I took what I thought would be more than a few steps down on the fashion-ladder to peruse the womanly wares at the National Hispanic Media Coalition awards.

Yeah, I'd never heard of them, either.

But instead of the gaudy, pageanty, Miami-esque halter gowns I expected to quickly click through, I found "Ugly Betty" star America Ferrera in this beautiful chiffon LBD with geometric plunge neckline and delicately constructed flutter-tiered skirt.

To flatter her fuller figure, America smartly chose a muted color, a wispy fabric draped in layers with thickness-minimizing gathering at the waist, and a dramatic neckline that draws all attention upward to frame her two best assets: her face and décolletage.

Her simple black suede Prada peeptoe D'Orsays were an ideal choice to temper the busy layering of the hemline.

Jennifer Hudson, take note.

24 February 2007

Poise first, Prada second, then everything else.

Though I really didn't have much of an opportunity to take in the Anne-Hathaway-lookalikes with perfectly coiffed bangs and short nails polished with whatever color is most in vogue I normally see in droves on the Upper West Side, I did see one woman who, had I not been wearing patterned tights, would have literally knocked my socks off.

She was a bit homelier and a bit older than the women who typically stop me in my tracks. She was perhaps mid-40s, maybe even early-50s given her enormous shopping bag from La Prairie, but in her case, it wasn't about her beauty, her age, her statuesque figure, her Diddy-sized diamond studs, or even her charcoal double-breasted boatneck waist-cinched Prada coat -- a coat I've wished for on four separate 11:11 occasions since I saw Kelly Ripa wear it to her interview with Dave Letterman last month.

Her upmarket trappings were hard not to be impressed by, but it was much more her dignified walk, her air of contentedness and the calm ease with which she navigated through the throngs of cold, cranky New Yorkers - in tall, skinny heels, no less - that made her stand out from among the other well-dressed women fortunate enough to be shopping at 3:15 on a weekday afternoon.

I'd heard over and again melodramatic fashion experts chide women for letting their clothes wear them, not them wearing their clothes, but it wasn't until yesterday, until I actually saw firsthand what it looked like when a woman owned a busy sidewalk with her air of confidence alone, that I finally understood what they meant by this.

DC is filled with accomplished female lawyers, lobbyists, politicos and academics, but very few - none, in fact, I've encountered - could've held a Vie Luxe City 3-wick to this woman who probably spent the better part of her life "lunching," spa-ing, and helping Barneys salespeople exceed their monthly commission goals.

"How is this possible?" I thought to myself as I watched her pause in front of and then enter the Stuart Weitzman boutique in the Time Warner building.

On my return home, between reading my Betty and Veronica Double Digest and shooting are-you-'effing-serious? looks at the man whose left hip was unapologetically 2/3 into my seat, I thought about this question. Flush up against the cold metal siding with no sign of relief in sight, I turned to the soothing sound of Mandy Patinkin for temper deescalation. Serendipitously, it was in his glorious remake of the Les Miserables classic, "I Dreamed a Dream," that I had a revelation.

"There are dreams that cannot be, and there are storms we cannot weather. I had a dream my life would be so different from this hell I'm living, so different now from what it seemed, now life has killed the dream I dreamed."

Most women in DC whom I've met place primacy on their careers and eventually, split themselves - not just their time but themselves - between their jobs and their families. Gone are the personal dreams of self-improvement through "me" friendships (i.e. not just those borne out of your carpool group and neighborly get-togethers), "me" reflection, and yes, even "me" physical maintenance. I'm not talking about the occasionally penciled-in massage or a once-every-two-months girls' lunch, I'm talking about the daily "me" time that used to occur out of instinct, not when-I-can-find-the-time convenience.

From what people who have families and/or highly demanding jobs tell me, the personal sacrifice is worth it. At this point, on the cusp of entering into virgin late-twenties territory, I'm not sure I think it is.

If it's at the cost of being as slim as I hope to always be, fine.

If it's at the cost of having less time to discover new vintage stores, fine.

If it's at the cost of a full-makeup routine in the mornings, fine. Really.

But if it's at the cost of losing the way I carry myself, losing touch with what made me me five years ago, ten years ago, I'm not sure I'm willing to sacrifice that.

Granted, I don't know the life journey of this striking New York City woman. For all I know, she too might be a career woman, one so successful she's allowed to leave her office early on a Friday to do some "light shopping"; she might be that lucky brand of woman who belted out six kids without affecting her boyishly thin hips; she might even be one of the DC women I described above who just decided to take a daytrip on the Acela to pick up some items she couldn't find in our fair city.

Either way, seeing her on the street yesterday brought on this realization for me: there will always only be 24 hours in every day and 48 hours in every weekend. It's going to be impossible to achieve everything and be everything we want and to keep dreaming of new goals and thinking of new roles to pursue without losing something on the other end. At some point, if we choose the big things - the big career, wealth, a family - we risk becoming different people.

For those of us who love ourselves the way we currently are, that sounds more like a threat than a tempting adventure.

All I know is that no matter what age I am, no matter what city I'm in, no matter if I'm a stay-at-home Mom, a China analyst or writing for Marie Claire, no matter if I'm wearing an Ann Taylor coat or a Prada coat, I want to own a sidewalk just like she did.

You can call me superficial, you can call me selfish - both are often true - but that's a dream I'm not willing to let go of. Not for anything.